Ray Harryhausen, animation and VFX master
passed away last week. He is without a
doubt the most influential FX artist in film history, and his heritage will
last forever.
There
are tributes on sites and Blogs dedicated to Harryhausen. But there are just a
few that bring into focus the matte painting works on Harryhausen films.
Most recently Peter Cook has assembled wonderful
tribute to Ray’s matte paintings on his Blog.
I also have on my site a special place for
Harryhausen mattes and miniatures.
After
taking a look at Peter´s Blog and to my site, I have seen we’ve forgotten some
small paintings and matte shots, I´, going to show here as a little homage to
one of my all-time movie heroes.
At the Golden Voyage of Sinbad, Harryhausen took
advantage of Spanish matte artists Emilio Ruiz del Rio
to execute some in-camera foreground paintings. Those pictures have been shown
already, but there are two more views of the coast and Moravia city walls that are less known.
This view of Moravia city looks like a matte painting added
later on postproduction, and doesn’t match the style of Emilio Ruiz.
This coastal view could be done as a foreground
painting by Emilio Ruiz with a small portion of a miniature ship close to the
camera, out of focus.
I also noticed at Clash of the titans three
different views for the temple of the three blind witches. I think two of them
were miniatures matted in, but for a faraway view if a long shot it looks more
like a small painting.
There is also a view of Medusa’s island that I
also believe is a matte painting rather than a miniature. The paintings should
be done by Cliff Culley who was in charge of miniature effects.
At The 7th voyage of Sinbad it appears another matte painting that was taken from another film. The Island and the ship are all painted. Probably from another Columbia film. I don’t know the title of the original movie, but I hope to find it someday.
This matte
painting of Baghdad
was not originally made for the Harryhausen film The 7th Voyage of Sinbad
by Columbia Pictures. In his biography
book, Ray didn’t remember from what film it was taken. It was a Universal film “The veils of Baghdad” (1953)
Probably
the matte painting was from Russell Lawson head of Universal matte department
at that time.
At The 7th voyage of Sinbad it appears another matte painting that was taken from another film. The Island and the ship are all painted. Probably from another Columbia film. I don’t know the title of the original movie, but I hope to find it someday.